A view of ¡Qué Queer!: “It’s like entering a giant scrapbook,” says “Queerator” Penny Boyer.
Penelope Alice Boyer wearing an Alice In Wonderland pinafore made for her by her mother.
Penelope in The Odyssey: But please, read this dream for me, won’t you? Listen closely… I keep twenty geese in the house, from the water trough they come and peck their wheat—I love to watch them all... (Robert Fagles, The Odyssey, New York: Viking Books, 1996, 407)
Rhonda Kuhlman’s Theo Stret project: fence and portal
Joanna Armijo Zamarron’s Theo Street Project
Ansen Seale’s “The Corn Crib” at Land
Heritage Institute, San Antonio, TX
David Zamora Casas’ Theo Street project
Detail from Regis Shephard’s Theo St. project
P.Boyer & R. Kuhlman Theo Street collaboration
Penny’s House
(above, beside, below)
Penny’s House
(beside, below)
Detail from Kathy Vargas’ Papa Day: Penelope Alice Boyer, 1995
Assimil [Danspace @ St. Mark’s Church, 1987]
Epic Family Epic [Dance Theatre Workshop, 1988]
To Be Read Aloud [Dance Theatre Workshop, 1985]
Adrift (with Clifford Arnell) [Dance Theatre Workshop, 1984]
Democracy in America [P.S. 1 and BAM’s Next Wave Festival, 1984]
Women in Black and White [Dance Theatre Workshop, 1987]
A Race [LaMama Annex, 1984]